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Technical Specification

Specifications

Sensor TypeSuper 35 format ARRI ALEV 4 CMOS sensor with Bayer pattern colour filter array

Sensor Photosites and Size4608 x 3164 / Ø 33.96 mm / 1.337"

Sensor Frame Rates0.75 - 120 fps

Project Frame Rates23.976, 24, 25, 29.97, 30, 47.952, 48, 50, 59.94, 60 fps

Weight2.9 kg / 6.4 lbs (camera body with three antennas and LPL Mount (LBUS))

Photosite Pitch6.075 μm

Active Image Area (Dimensions):

4.6K 3:2 Open Gate28.00 x 19.20 mm / 1.102 x 0.756"

4.6K 16:928.00 x 15.70 mm / 1.102 x 0.618"

4K 16:924.90 x 14.00 mm / 0.980 x 0.551"

4K 2:124.90 x 12.40 mm / 0.980 x 0.490"

3.3K 6:520.22 x 16.95 mm / 0.796 x 0.693"

3K 1:118.70 x 18.70 mm / 0.737 x 0.737

2.7K 8:916.70 x 18.70 mm / 0.656 x 0.738"

2K 16:9 S1612.40 x 7.00 mm / 0.490 x 0.276"

Image Circle:

4.6K 3:2 Open Gate33.96 mm / 1.337"

4.6K 16:932.10 mm / 1.264"

4K 16:928.57 mm / 1.125"

4K 2:127.82 mm / 1.095"

3.3K 6:526.38 mm / 1.039"

3K 1:126.45 mm / 1.041"

2.7K 8:925.09 mm / 0.988"

2K 16:9 S1614.24 mm / 0.561"

Active Image Area (Photosites):

4.6K 3:2 Open Gate4608 x 3164

4.6K 16:94608 x 2592

4K 16:94096 x 2304

4K 2:14096 x 2048

3.3K 6:53328 x 2790

3K 1:13072 x 3072

2.7K 8:92743 x 3086

2K 16:9 S162048 x 1152

Recording Resolution (Pixel) - Max fps* (1TB / 2TB Drive):

4.6K 3:2 Open Gate4.6K (4608 x 3164) - 35 / 75 fps (ARRIRAW), 60 / 60 fps (Apple ProRes)

4.6K 16:94.6K (4608 x 2592) - 45 / 75 fps (ARRIRAW)

4K (4096 x 2304) - 75 / 75 fps (Apple ProRes)

4K 16:94K (4096 x 2304) - 55 / 120 fps (ARRIRAW), 100 / 100 fps (Apple ProRes)

UHD (3840 x 2160) - 120 / 120 fps (Apple ProRes)

2K (2048 x 1152) - 120 / 120 fps (Apple ProRes)

HD (1920 x 1080) - 120 / 120 fps (Apple ProRes)

4K 2:14K (4096 x 2048) - 65 / 120 fps (ARRIRAW), 120 / 120 fps (Apple ProRes)

3.3K 6:53.3K (3328 x 2790) - 55 / 100 fps (ARRIRAW), 75 / 75 fps (Apple ProRes)

4K 2.39:1 Ana. 2x (4096 x 1716) - 90 / 90 fps (Apple ProRes)

3K 1:13K (3072 x 3072) - 55 / 100 fps (ARRIRAW), 90 / 90 fps (Apple ProRes)

3.8K 2:1 Ana. 2x (3840 x 1920) - 100 / 100 fps (Apple ProRes)

2.7K 8:9UHD 16:9 Ana. 2x (3840 x 2160) - 100 / 100 fps (Apple ProRes)

2K 16:9 S162K (2048 x 1152) - 120 / 120 fps (Apple ProRes)

Exposure IndexAdjustable from EI 160 - 6400 in 1/3 stops

Dynamic Range17 stops (2.5 more than with previous ALEXA cameras)

ShutterElectronic shutter, 5.0°- 356° or 1s - 1/8000s

Recording CodecsMXF/ARRIRAW

MXF/Apple ProRes 4444 XQ

MXF/Apple ProRes 4444

MXF/Apple ProRes 422 HQ

Recording MediaCodex Compact Drive 1TB (CA08-1024), Codex Compact Drive 2TB (CB16-2048)

Recording ModesStandard real-time recording, Pre-recording

Viewfinder TypeMulti Viewfinder MVF-2 with OLED viewfinder display (1920 x 1080) and 4" LCD flip-out monitor (800 x 400)

Viewfinder DiopterAdjustable from -5 to +5 diopters

Colour OutputRec 709, Rec 2020, Rec 2100 PQ, Rec 2100 HLG, LogC4

Look ControlARRI Textures

Custom colour look (through ARRI Look File ALF4 or ARRI Look Library)

White BalanceManual and auto white balance, adjustable from 2000K to 11000K

Colour correction adjustable from -16 to +16 CC

(1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values)

FiltersFour position built-in motorized ND filter: Clear, 0.6, 1.2, 1.8

Fixed optical low pass, UV, IR filter

Lens Squeeze Factors1.00, 1.25, 1.30, 1.33, 1.50, 1.65, 1.80, 1.85, 2.00

Exposure and Focus ToolsFalse Colour, Zoom, Aperture and Colour Peaking

Audio Recording4 channel linear PCM (24 bit, 48 kHz)

Alexa35.jpg

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About
Alexa35 d_edited.jpg

ARRI Alexa 35

  • Best Image Quality at native 4K and 120 fps

  • More dynamic range: 17 stops can handle any situation on set and is best for HDR

  • More contrast: Sophisticated stray-light suppression to accurately capture the full contrast range and character of each lens

  • More sensitivity: Lower noise, EI 6400 and optional Enhanced Sensitivity Mode

  • More accurate colors: REVEAL Color Science for better color reproduction, cleaner edges and faster grading

  • More Creative Control

  • The camera supports all S35 and LF lenses while fulfilling all 4K mandates

  • ARRI Textures: A new way to define grain and contrast in-camera, giving control back to the cinematographer

  • New look handling: View SDR and HDR of the same look on set, set Look Intensity, use in-camera LogC4 Look Library

  • Fast and Easy Operation

  • The smallest fully featured ALEXA

  • New left side display

  • Familiar MVF-2 viewfinder (now also in HDR), menu structure, Compact Drives 1TB & 2TB

  • 19 recording formats for all requirements

  • Advanced Color Match (ACM)

  • Streaming metadata for virtual studios

  • Comprehensive Workflow Tools: ARRI online tools, stand-alone apps & 3rd party tools

  • Robust and Reliable: For dependable working on set, a long product cycle, and a safe return on investment 

English/Português

Shot on Alexa35

ARRI Alexa35 Encounters Film Nice
03:19

ARRI Alexa35 Encounters Film Nice

ARRI Alexa35 Encounters Film "Nice" Introduction of ARRIs New Alexa35 camera - June 2022 A group of cinematographers and directors was invited to play with the new Alexa35 camera before the official launch. Out came a variety of short films. "Nice" directed by Jan Rasmus Voss and lensed by Nikolaus Summerer is one of them. Director: Jan Rasmus Voss Cinematographer: Nikolaus Summerer Producer: Mikkel Damkiær Production Company: Scandinavian Studios 1st AD: Joakim Harder Gaffer: Frank Omø Grip: Michael Tøt Focus Puller: Henrik Lyngbo Sound: Søren Hvam Location Manager: Morten Wind Casting: Casteriet Composer: Kian Jazdi Sound Design: Clemens Becker Colorist: Florian "Utsi" Martin Editor: Oliver Stumpf Cast 1: Boy Ewald Cast 2: Thomas Ravn Cast 3: Troels Thorsen Shot on ARRI Alexa35 with Hawk class-X Anamorphic lenses.
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